{"id":801,"date":"2020-11-05T14:47:13","date_gmt":"2020-11-05T14:47:13","guid":{"rendered":"http:\/\/news.philipguston.org\/?p=801"},"modified":"2021-02-03T17:39:21","modified_gmt":"2021-02-03T17:39:21","slug":"philip-guston-now-exhibition-update","status":"publish","type":"post","link":"https:\/\/news.philipguston.org\/index.php\/2020\/11\/05\/philip-guston-now-exhibition-update\/","title":{"rendered":"A Reading List on the Postponed Philip Guston Now Retrospective"},"content":{"rendered":"\n
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National Gallery of Art <\/a> Statement <\/p>\n\n\n\n

The New York Times<\/a> by Julia Jacobs  9\/24<\/p>\n\n\n\n

ARTNews<\/a> by Alex Greenberger 9\/24<\/p>\n\n\n\n

The Art Newspaper<\/a> by Robert Storr  9\/24<\/p>\n\n\n\n

The Art Newspaper<\/a> by Gareth Harris 9\/25<\/p>\n\n\n\n

The Washington Post<\/a> by Peggy McGlone 9\/25<\/p>\n\n\n\n

The New York Times<\/a> by Julia Jacobs, Jason Farago 9\/25<\/p>\n\n\n\n

The Observer<\/a> by Helen Holmes 9\/25<\/p>\n\n\n\n

Berkshire Fine Arts<\/a> by Charles Giuliano 9\/26<\/p>\n\n\n\n

Glasstire<\/a> by Christopher Blay 9\/27<\/p>\n\n\n\n

The Article<\/a> by David Herman 9\/27<\/p>\n\n\n\n

The Guardian<\/a> by Edward Helmore 9\/27<\/p>\n\n\n\n

The Washington Post<\/a> by Sebastian Smee 9\/27<\/p>\n\n\n\n

artnet<\/a> by Tim Schneider 9\/28<\/p>\n\n\n\n

ARTNews<\/a> by Alex Greenberger 9\/28<\/p>\n\n\n\n

The Art Newspaper<\/a> by Ben Luke 9\/28<\/p>\n\n\n\n

The Guardian<\/a> by Aindrea Emelife 9\/28<\/p>\n\n\n\n

Smithsonian Magazine<\/a> by Isis Davis-Marks 9\/29<\/p>\n\n\n\n

Washingtonian<\/a> by Mimi Montgomery 9\/29<\/p>\n\n\n\n

Brooklyn Rail Open Letter<\/a> 9\/30<\/p>\n\n\n\n

The New York Times<\/a> by Jason Farago 9\/30<\/p>\n\n\n\n

The Times UK<\/a> by David Aaronovitch 9\/30<\/p>\n\n\n\n

Wall Street Journal<\/a> by Eric Gibson 9\/30<\/p>\n\n\n\n

Wall Street Journal<\/a> by Eric Gibson 9\/30<\/p>\n\n\n\n

ARTFORUM<\/a> 9\/30<\/p>\n\n\n\n

CNN<\/a> by Oscar Holland 10\/1<\/p>\n<\/div>\n\n\n\n

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CNN<\/a> by Oscar Holland 10\/1<\/p>\n\n\n\n

Daily News<\/a> by Theresa Braine 10\/1<\/p>\n\n\n\n

The Telegraph<\/a> by Chris Harvey 10\/1<\/p>\n\n\n\n

Vulture<\/a> by Jerry Saltz 10\/1<\/p>\n\n\n\n

Hyperallergic<\/a> by Hraj Vartanian (podcast) 10\/1<\/p>\n\n\n\n

The Washington Post<\/a> by Sebastian Smee 10\/1<\/p>\n\n\n\n

ArtReview<\/a> by J.J. Charlesworth 10\/2<\/p>\n\n\n\n

Frieze Opinion<\/a> by Terence Trouillot 10\/2<\/p>\n\n\n\n

The New York Times<\/a> by Margaret Schwendener 10\/3<\/p>\n\n\n\n

Artlyst<\/a> by David Anfam and Paul Carter Robinson 10\/6<\/p>\n\n\n\n

artnet<\/a> by Julia Halperin 10\/6<\/p>\n\n\n\n

The Washington Post<\/a> by Peggy McGlone 10\/7<\/p>\n\n\n\n

The Washington Post<\/a> by Peggy McGlone and Sebastian Smee 10\/12<\/p>\n\n\n\n

The New Yorker<\/a> by Peter Schjeldahl 10\/19<\/p>\n\n\n\n

artnet<\/a> by Ben Davis 10\/15<\/p>\n\n\n\n

The Washington Post<\/a> by Sebastian Smee 10\/16<\/p>\n\n\n\n

TexasMonthly<\/a> by Michael Agresta 10\/20<\/p>\n\n\n\n

All Things Considered<\/a>,<\/em> by Emma Jacobs 10\/25<\/p>\n\n\n\n

The Nation<\/a> by by Barry Schwabsky 10\/30<\/p>\n\n\n\n

National Gallery of Art<\/a> – Updated Schedule 11\/5<\/p>\n\n\n\n

Washington Post<\/a> – Peggy McGlone 11\/5<\/p>\n\n\n\n

Artnet New<\/a>s – Sarah Cascone 11\/5<\/p>\n\n\n\n

The Art Newspaper<\/a> – Nancy Kenney 11\/6<\/p>\n\n\n\n

The Art Newspaper<\/a> – Ben Luke. 11\/6<\/p>\n\n\n\n

The Critic<\/a>\u00a0by Michael Prodger 11\/11
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