{"id":978,"date":"2022-05-03T18:27:26","date_gmt":"2022-05-03T18:27:26","guid":{"rendered":"https:\/\/news.philipguston.org\/?p=978"},"modified":"2023-03-27T20:49:57","modified_gmt":"2023-03-27T20:49:57","slug":"philip-guston-now-a-reading-list-on-the-retrospective-at-the-museum-of-fine-arts-boston","status":"publish","type":"post","link":"https:\/\/news.philipguston.org\/index.php\/2022\/05\/03\/philip-guston-now-a-reading-list-on-the-retrospective-at-the-museum-of-fine-arts-boston\/","title":{"rendered":"Philip Guston Now | A Reading List on the Retrospective"},"content":{"rendered":"\n
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Artnet News<\/a>, by Zo\u00e9 Samudzi, 12\/27\/22<\/p>\n\n\n\n

PRINT<\/a>, by Steven Heller 12\/19\/22<\/p>\n\n\n\n

The Brooklyn Rail<\/a>, by Rosa Boshier Gonz\u00e1lez 12\/16\/22<\/p>\n\n\n\n

Unherd<\/a>, by Kat Rosenfield 12\/14\/22<\/p>\n\n\n\n

Glasstire<\/a>, by Garland Fielder 12\/6\/22<\/p>\n\n\n\n

Jewish Currents<\/a>, by Zo\u00e9 Samudzi 11\/16\/22<\/p>\n\n\n\n

Houston Chronicle<\/a>, by Andrew Dansby 10\/25\/22<\/p>\n\n\n\n

Art Daily<\/a>, 10\/23\/22<\/p>\n\n\n\n

National Review<\/a>, by Brian T. Allen 10\/1\/22<\/p>\n\n\n\n

Moment Magazine<\/a>, by Frances Brent 9\/28\/22<\/p>\n\n\n\n

New Criterion<\/a>, Karen Wilkin 9\/22<\/p>\n\n\n\n

The Brooklyn Rail<\/a>, by Lyle Rexer 8\/30\/22<\/p>\n\n\n\n

The Spectator<\/a>, by Joshua Lieberman 8\/20\/22<\/p>\n\n\n\n

Hyperallergic<\/a>, by John Yau 8\/18\/22<\/p>\n\n\n\n

The Spectator<\/a>, by Andrew Shea 8\/1\/22<\/p>\n\n\n\n

The Nation<\/a>, by Barry Schwabsky 7\/28\/22<\/p>\n\n\n\n

Jewish Boston<\/a>, by Judy Bolton-Fasman 6\/28\/22<\/p>\n\n\n\n

Jewish Boston<\/a>, by Joshua Meyer 5\/31\/22<\/p>\n\n\n\n

Artnet News<\/a>, by Leah Triplett Harrington 5\/26\/22<\/p>\n\n\n\n

The Atlantic<\/a>, by Lily Meyer 5\/24\/22<\/p>\n\n\n\n

Filthy Dreams<\/a>, by Emily Colucci 5\/23\/22<\/p>\n\n\n\n

Financial Times<\/a>, by Jan Dalley 5\/13\/22<\/p>\n\n\n\n

PBS News Hour<\/a>, by Jared Bowen, GBH, Maureen Barillaro, Robert Judge 5\/12\/22<\/p>\n\n\n\n

WGBH<\/a>, by Jared Bowen 5\/12\/22<\/p>\n<\/div>\n\n\n\n

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Forward<\/a>, by Penny Schwartz by 5\/11\/22<\/p>\n\n\n\n

New York Sun<\/a>, by A.R. Hoffman 5\/7\/22<\/p>\n\n\n\n

Washington Post<\/a>, by Sebastian Smee 5\/6\/22<\/p>\n\n\n\n

The Art Newspaper Podcast<\/a>, Hosted by Ben Luke, Gareth Harris and Aimee Dawson. Produced by David Clack and Henrietta Bentall 5\/6\/22<\/p>\n\n\n\n

ARTnews<\/a>, by Maximil\u00edano Dur\u00f3n 5\/5\/22<\/p>\n\n\n\n

Artnet<\/a>, by Taylor Dafoe 5\/5\/22<\/p>\n\n\n\n

Arts Fuse<\/a>,\u00a0by Franklin Einspruch 5\/3\/22<\/p>\n\n\n\n

Forbes<\/a>,\u00a0by Chadd Scott 5\/1\/22<\/p>\n\n\n\n

The New York Times<\/a>,\u00a0by Marc Tracy and Robin Pogrebin 5\/1\/22<\/p>\n\n\n\n

The Boston Globe<\/a>,\u00a0by Malcolm Gay 4\/30\/22<\/p>\n\n\n\n

The Wall Street Journal<\/a> by Peter Plagens 4\/30\/22<\/p>\n\n\n\n

The Economist<\/a> 4\/30\/22<\/p>\n\n\n\n

The Boston Globe<\/a> by Murray Whyte 4\/28\/22<\/p>\n\n\n\n

WBUR<\/a>,\u00a0by Pamela Reynolds 4\/28\/22<\/p>\n\n\n\n

Apollo Magazine<\/a>,\u00a0by Craig Burnett 4\/28\/22<\/p>\n\n\n\n

The New York Times<\/a>,\u00a0by Holland Cotter 4\/28\/22<\/p>\n\n\n\n

The Art Newspaper<\/a>, by J.S. Marcus 4\/26\/22<\/p>\n\n\n\n

The Wall Street Journal<\/a> by Peter Saenger 4\/22\/22 <\/p>\n\n\n\n

Apollo Magazine<\/a>,\u00a0Art Diary 4\/22\/22 <\/p>\n\n\n\n

The Boston Globe<\/a>, by Jane Kallir 4\/18\/22<\/p>\n\n\n\n

Artforum<\/a>, by Dan Nadel 1\/21<\/p>\n<\/div>\n<\/div>\n\n\n\n

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